With a taut plot that seems straight from a novella, the writing by Michael Pellico is extremely vivid, far-fetched and full of overwrought melodrama. But with well-defining characters delivering gripping performances and the right amount of action and drama, Director Ashtar Sayed succeeds in making the tale engrossing.
In an author-backed role, which is touted to be her comeback film, Raveena with her steely hauteur is utterly arresting in this provocative film. She exercises restraint, exudes an eerie calmness and yet injects fresh blood to her persona. This is clearly a performance no other actor in her age bracket could have pulled off with such ease. Even though her character is wounded, her spirited performance, though flaunted with faulty and excessive make-up, emerges as a compelling element in the film.
In a minuscule role, Rushad Rana as Vidya's spineless and inconsiderate husband Ravi, is aptly cast. You resent him for being a disgruntled and insensitive human being when he spews, "She should not have taken that turn...Did she think twice before taking that turn?" The line also sounds as an allegory to the situation.
Divya Jagdale is naturally charming as Vidya's friend, the artist Rita Adhikari, and she makes her presence felt with her under-written yet over-protective traits.
Of the antagonists, Madhur Mittal as Apurva Malik is every bit the obstinate and repulsive guy he is meant to be. He essays his character with ease.
With minimal dialogues and controlled camera work, the film offers a realistic feel. The songs, Zindagi Ae Zindagi sung by Rahat Fateh Ali Khan and Aisi Hoti Hai Maa sung by Kavita Seth are appropriately used to propel the emotional quotient of the narrative. The background score and the production design add to the viewing experience.
Overall, Maatr is a raw and powerful tale that is crisply told albeit a tad fictionalised.
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